I must admit that the pay-off of their romance is more moving than the set-up. A deep, inseparable bond is established between them instantly. When Niharika (Ahaana Krishna) walks into his disorderly existence one day, his life takes a drastic turn. The only son of parents who passed away due to unnatural deaths when he was still a child, Luca carries the unbearably heavy burden of its after-effects, consequently rendering him necrophobic (fear of death, dead bodies or any situation involving death).Īn incredibly gifted scrap artist, he is at his best when he is doing his art. He is an open book-someone who finds perfection in imperfection. One of these characters, Luca (Tovino Thomas) has no qualms about revealing his ‘spelling mistakes’ to all. The closest examples are KG George’s Yavanika or Padamarajan’s Kariyilakaattu Pole from the latter Billy Wilder’s Sunset Boulevard or Martin Scorsese’s Casino from the former.īeginning with the investigating officer, Akbar (Nithin George), every character in Luca is going through some form of emotional trauma.Įveryone has a ‘spelling mistake’, as one character remarks. Similar plot openings have been tried before not just in Hollywood but also in Malayalam cinema.
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